Second, you need a good brush that won’t leave a ton of bristles in your paint job. After applying my final coat of buttercream, I place the cake in the refrigerator for a good 30 minutes or more, until the finish is hard to the touch. Here are my best tips for success:įirst, to avoid messing up your final coat of buttercream, you must start with a well-chilled cake. All three of these things can make or break the final outcome. Whether you’re painting a metallic finish or a non-metallic finish, it’s important to start with the right consistency of whatever you’re painting with, the right brush for the job, and a solid cake finish. Thank you for your support! Important Tips For Painting On Buttercream Using these links won’t cost you any extra money, but they do help to keep Sugar & Sparrow up and running. I made a little video to show you how they look in action:ĭisclaimer: this post does contain some affiliate links, meaning I may receive a small commission if you click them and purchase items I’ve recommended. After scouring the internet and reading countless reviews, I ordered three to try: King’s Gold by CK Products, Gold Pearl Dust by Wilton, and Glamorous Gold by Edible Art Paint. This wonderment sent me on a quest to find the best product for a perfect metallic buttercream finish: one that’s as shiny as Super Gold, as easy to paint with (aka I wouldn’t have to paint a million coats), and of course, one that is universally FDA approved for eating. It’s FDA approved in some countries, but not the USA, so I wondered if after swooning over this amazing gold finish I could actually find a comparable option that is FDA approved worldwide. Here’s the thing though, while I was absolutely blown away by the shiny gold finish, I realized that there has been a recall on Rolkem Super Gold because (the batch I ordered at least) contains high levels of copper, which is not the healthiest for consumption. I’ve seen a lot of cake makers use that mixed with a little vodka to paint their buttercream cakes for a flawless metallic look. After doing a bit of research into how to get the look, I decided to order the Rolkem Super Gold luster dust and try my hand at it. And Tazel took on the role of Denitra, whose guise as a successful corporate attorney to prevent anyone from suspecting that she doesn’t reside in Millburn is soon exposed.For years, I’ve been seeing my Instagram caker friends post photos of metallic gold buttercream cakes. At the reviewed performance, Jenrette played Beverly, the Princeton-educated principal whose professional prospects were changed when she was given the chance to attend a better school than what was allocated for her during her Newark youth. Terry, is that the two actors alternate roles during the run, thereby mirroring the arbitrary nature of the system. The conceit of this production, directed by Desean K. An overachiever in educational environments that were underfunded, she graduated at the top of her class only to discover that she was ill equipped to compete with her more privileged peers in the elite university sweepstakes. Denitra, a licensed vocational nurse from Newark, commits school residency fraud to get her daughter into this school, not wanting her bright child to follow in her footsteps.ĭenitra has nothing to be ashamed of, but she expected more from life. The production, a presentation by Collaborative Artists Bloc and Support Black Theatre at the Matrix Theater, stars Kelly Jenrette and Erica Tazel as two Black women in New Jersey who understand only too well how the choice of school can limit or expand a person’s life.īeverly is the interim principal of the enviably resourced Millburn High School, located in picturesque suburban Millburn. But the play is overwritten, with points of argument often getting the better of dramatic finesse. Salter’s approach is comprehensive, intelligently and informatively presenting a complex portrait of a seemingly intractable societal issue. “Lines in the Dust” proudly flaunts its social justice agenda. The psychology of a mother who could entertain the idea of such a draconian solution is of less importance than the injustice of a society so economically divided that desperate measures can seem completely rational. But the drama is more political than personal. This question arises in “Lines in the Dust,” a play by Nikkole Salter, best known for “In the Continuum,” which she wrote and performed with Danai Gurira. How much would you be willing to sacrifice to get your child into a school district that would provide the education you yourself were denied because of your ZIP Code? Would you consider giving up custody for the lottery ticket of a first-rate education for your flesh and blood?
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